Last week I ordered a Pittsburgh Modular System 10.1+ to keep my Make Noise 0-Coast company. Make Noise released a patch video last week showing how to set up a Krell Patch on the 0-Coast. I tried it out last night, drenched it in reverb added some delay, and just sat and listened to it for about an hour. There’s something about a synthesizer playing and modulating itself that takes me to my nerdy happy place.
My Pittsburgh was delivered today. 🙂 I’m super new with this modular stuff, but this evening I set up the Krell patch on the 0-Coast again, but this time patched it into the mult section on the Pittsburgh, and was able to get the patch running on both synths. Small thing I’m sure to many, but I thought it was pretty damn cool.
They make beautiful whale noises together.
Sounds are from the 0-Coast and the System 10, recorded into Ableton with Eventide Black Hole reverb on a send/return and a ping pong delay as an insert on each synth.
A little more noodling on the 0-coast. This time recorded into Ableton with Convolution Reverb Pro and Surreal Machines Magnetic.
Last week I sold my Korg Minilouge and replaced it with this little semi-modular desktop synth called 0-Coast, by Make Noise. It’s awesome, hands down the most inspiring piece of gear I’ve purchased since first picking up my Korg Volcas.
The thing is seriously fun and capable of a huge range of sound. Here’s a short recording of me noodling around with a simple arpeggio. The 0-Coast is being sequenced by my Arturia Keystep, with clock from my Beat Step Pro. Effects chain is a TC Electronic T2 reverb pedal, and delays from my Lexicon MX200. Recorded directly to a Tascam DR-07.
So fun… I’m hooked and am now saving for my first modular rig. No turning back! 🙂
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Steven P. Jobs, Apple’s chief executive, disputed the concern that the market was limited, and said the company might have trouble meeting holiday demand. He predicted that the improvement in technology he said the iPod represented would inspire consumers to buy Macintosh computers so they could use an iPod.
New York Times article posted 15 years ago today. How time flies!
– via Hacker News
Luss is a musician from Switzerland. He makes awesome, tripped out, dub electronica with an all hardware setup, runs through his tracks in a live jam style and posts the vids up on YouTube, tracks on SoundCloud, etc. etc.
He just posted up this reggae jam today and it’s soooo fucking killer, brought a huge smile to my face. Great way to end out the week. Hopefully he’ll post it for download or sale soon. 🙂
One of the last tracks I recorded before moving my music setup out of the box. Dubby affair, with Volca Keys, Bass, Beats, and Sample. Ableton reverb, pingpong, and filter delays for effects. Sequenced with BeatStep Pro. Sample from No Country For Old Men.
Some cool photos Jennifer took of Simon and I playing with my music rig, or as Simon calls it, the “Gadget Racket Lab”.
I’ve moved my music setup completely “out of the box”, (computer free) and I’ve been looking for a way to record without having to move my computer to the other side of the room. I settled on this Tascam DR-07, acquired second hand via eBay, and delivered today.
Sounds are a Korg Volca Beats & a Korg Electribe ER-1, Boss DS-1, Lexicon MX-200, and Alesis Midi Verb. Sequenced via BeatStep Pro, running through my Mackie and into the line input on the Tascam.
This was my first recording and the levels are a little hot, but I’m pretty stoked on the Tascam. Since it’s a field recorder it can also do double duty to collect found sounds for my Volca Sample. 🙂
Fun evening at ClubSmutek 🙂